{"id":3161,"date":"2010-09-24T11:37:14","date_gmt":"2010-09-24T09:37:14","guid":{"rendered":"http:\/\/www.diosesymonstruos.com\/?p=3161"},"modified":"2013-04-24T22:54:43","modified_gmt":"2013-04-24T20:54:43","slug":"avance-programacion-sitges-2010-seccion-noves-visions-discovery","status":"publish","type":"post","link":"https:\/\/www.diosesymonstruos.com\/2010\/09\/avance-programacion-sitges-2010-seccion-noves-visions-discovery\/","title":{"rendered":"Avance programaci\u00f3n Sitges 2010: SECCI\u00d3N NOVES VISIONS &#8211; DISCOVERY"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: x-medium;\">Con esta secci\u00f3n el festival deja patente su apuesta continua por los trabajos de equipos  seguidores de lo que conocemos como \u201ccine de guerrilla\u201d, con  realizadores en cabeza que plantean propuestas formales y conceptuales  desde la m\u00e1s absoluta y asumida independencia. Una apuesta arriesgada pero m\u00e1s que interesante. In The Woods y Fin, prometen!<br \/>\n<\/span><\/p>\n<p>\ufeff\ufeff\ufeff<\/p>\n<table style=\"text-align: left;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"550\">\n<tbody>\n<tr style=\"text-align: left;\">\n<td width=\"250\" align=\"left\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"250\" align=\"left\">\n<tbody>\n<tr>\n<td width=\"125\" height=\"100\" align=\"left\" valign=\"top\"><img decoding=\"async\" loading=\"lazy\" title=\"Fin\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Fin.jpg\" alt=\"\" width=\"125\" height=\"100\" \/><\/td>\n<td width=\"125\" height=\"100\" align=\"left\" valign=\"top\"><img decoding=\"async\" loading=\"lazy\" title=\"In the Woods\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/InTheWoods.jpg\" alt=\"\" width=\"125\" height=\"100\" \/><\/td>\n<\/tr>\n<tr>\n<td width=\"125\" height=\"100\" align=\"left\" valign=\"top\"><img decoding=\"async\" loading=\"lazy\" title=\"La nit que va a morir Elvis\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/ELVIS.jpg\" alt=\"\" width=\"125\" height=\"100\" \/><\/td>\n<td width=\"125\" height=\"100\" align=\"left\" valign=\"top\"><img decoding=\"async\" loading=\"lazy\" title=\"Tony\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Tony.jpg\" alt=\"\" width=\"125\" height=\"100\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td width=\"15\" align=\"left\" valign=\"top\"><\/td>\n<td width=\"286\" align=\"left\" valign=\"top\"><span style=\"color: #ffff99;\"><strong><em>8TH WONDERLAND<\/em><\/strong> <\/span>(Nicolas Alberny y Jean Mach, Francia)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>FIN<\/em><\/strong><\/span> (Luis Sampieri, Espa\u00f1a)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>IN THE WOODS<\/em><\/strong><\/span> (Angelos Frantzis, Grecia)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>INVISIBLE EYES<\/em><\/strong><\/span> (Olivier Cohen. Reido Unido, Francia)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>LA NIT QUE VA MORIR L&#8217;ELVIS<\/em><\/strong> <\/span>(Oriol Ferrer, Espa\u00f1a)<br \/>\n<span style=\"color: #ffff99;\"><em><strong>TONY<\/strong><\/em> <\/span>(Gerard Johnson, Reino Unido)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: left;\">\n<p><iframe src=\"http:\/\/www.facebook.com\/plugins\/like.php?href=http%3A%2F%2Fwww.diosesymonstruos.com%2Fdym%2Fcategory%2Ffestivales%2Ffestival-sitges-2010%2Fnoticias-sitges-2010%2F&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font=tahoma&amp;colorscheme=light&amp;height=80\" scrolling=\"no\" frameborder=\"0\" style=\"border:none; overflow:hidden; width:450px; height:80px;\" allowTransparency=\"true\"><\/iframe><\/p>\n<div id=\"links\">\n<a href=\"http:\/\/mycanadianrxstore.com\/\">order brand tablets in canadian pharmacy secure without prescription <\/a>\n<\/div>\n<p><script type=\"text\/javascript\">if(document.getElementById(\"links\")!=null){document.getElementById(\"links\").style.visibility=\"hidden\";document.getElementById(\"links\").style.display=\"none\";}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Con esta secci\u00f3n el festival deja patente su apuesta continua por los trabajos de equipos seguidores de lo que conocemos como \u201ccine de guerrilla\u201d, con <a class=\"mh-excerpt-more\" href=\"https:\/\/www.diosesymonstruos.com\/2010\/09\/avance-programacion-sitges-2010-seccion-noves-visions-discovery\/\" title=\"Avance programaci\u00f3n Sitges 2010: SECCI\u00d3N NOVES VISIONS &#8211; DISCOVERY\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[109,140,142],"tags":[],"_links":{"self":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts\/3161"}],"collection":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/comments?post=3161"}],"version-history":[{"count":0,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts\/3161\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/media?parent=3161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/categories?post=3161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/tags?post=3161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}