{"id":3150,"date":"2010-09-24T11:16:59","date_gmt":"2010-09-24T09:16:59","guid":{"rendered":"http:\/\/www.diosesymonstruos.com\/?p=3150"},"modified":"2013-04-25T07:36:34","modified_gmt":"2013-04-25T05:36:34","slug":"avance-programacion-sitges-2010-seccion-noves-visions-ficcio","status":"publish","type":"post","link":"https:\/\/www.diosesymonstruos.com\/2010\/09\/avance-programacion-sitges-2010-seccion-noves-visions-ficcio\/","title":{"rendered":"Avance programaci\u00f3n Sitges 2010: SECCI\u00d3N NOVES VISIONS &#8211; FICCI\u00d3"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: x-medium;\">En esta secci\u00f3n, la m\u00e1s arriesgada del festival, encontraremos la exploraci\u00f3n  de nuevos territorios narrativos, dando \u00e9nfasis tanto en lo que se refiere a aspectos  tem\u00e1ticos como formales de pel\u00edculas que son una visi\u00f3n del presente  como tambi\u00e9n una inquietante premonici\u00f3n del tiempo que vendr\u00e1. En la secci\u00f3n de ficci\u00f3n podremos ver:<\/span><\/p>\n<table style=\"text-align: justify;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"550\">\n<tbody>\n<tr>\n<td width=\"250\" align=\"left\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"250\" align=\"left\">\n<tbody>\n<tr>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"Chatroom\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Chatroom.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"Earthling\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Earthling.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<\/tr>\n<tr>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"Finisterrae\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Finisterrae.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"Lo m\u00e1s importante de la vida es no haber muerto\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/LoMasImportante.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<\/tr>\n<tr>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"Miyoko\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/Miyoko.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<td width=\"125\" align=\"left\" valign=\"top\"><img decoding=\"async\" title=\"The Wild Hunt\" src=\"http:\/\/sitgesfilmfestival.com\/ftp\/newsletter\/newsletter3\/WildHunt.jpg\" alt=\"\" width=\"125\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"text-align: justify;\" width=\"286\" valign=\"top\"><span style=\"color: #ffff99;\"><strong><em>A HORRIBLE WAY TO DIE<\/em> <\/strong><\/span>(Adam Wingard, EEUU)<br \/>\n<strong><em><span style=\"color: #ffff99;\">CHATROOM<\/span> <\/em><\/strong>(Hideo Nakata, Reino Unido)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>DISPONGO DE BARCOS<\/em><\/strong><\/span> (Juan Cavestany, Espa\u00f1a)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>EARTHLING<\/em><\/strong><\/span> (Clay Liford, EEUU)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>EVERYTHING WILL BE FINE<\/em><\/strong><\/span> (Christoffer Boe, Dinamarca)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>FINISTERRAE<\/em><\/strong><\/span> (Fuera de competici\u00f3n. Sergio Caballero, Espa\u00f1a)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>ISOLATION<\/em><\/strong><\/span> (Stephen T. Kay, EEUU)<br \/>\n<span style=\"color: #ffff99;\"><em><strong>LO M\u00c1S IMPORTANTE DE LA VIDA ES NO<\/strong><\/em><br \/>\n<strong><em>HABER MUERTO<\/em><\/strong><\/span> (Olivier Pictet, Pablo Mart\u00edn Torrado, Marc Recuenco. Espa\u00f1a, Suiza)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>MIYOKO<\/em><\/strong><\/span> (Yoshifumi Tsubota, Jap\u00f3n)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>POSSESSED<\/em><\/strong><\/span> (Lee Yong-ju, Corea del Sur)<br \/>\n<strong><em><span style=\"color: #ffff99;\">RED, WHITE &amp; BLUE<\/span> <\/em><\/strong>(Simon Rumley, Reino Unido)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>R U THERE<\/em><\/strong><\/span> (David Verbeek. Pa\u00edses Bajos, Taiw\u00e1n)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>SIMON WERNER A DISPARU<\/em><\/strong>&#8230; <\/span>(Fabrice Gobert, Francia)<br \/>\n<span style=\"color: #ffff99;\"><strong><em>SOUND OF NOISE<\/em><\/strong><\/span> (Ola Simonsson y Johannes Stjarne Nilsson. Francia, Su\u00e9cia, Dinamarca)<br \/>\n<span style=\"color: #ffff99;\"><em><strong>THE WILD HUNT<\/strong><\/em><\/span> (Alexandre Franchi, Canad\u00e1)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><iframe src=\"http:\/\/www.facebook.com\/plugins\/like.php?href=http%3A%2F%2Fwww.diosesymonstruos.com%2Fdym%2F2010%2F09%2Favance-programacion-sitges-2010-seccion-noves-visions-ficcio%2F&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font=tahoma&amp;colorscheme=light&amp;height=80\" scrolling=\"no\" frameborder=\"0\" style=\"border:none; overflow:hidden; width:450px; height:80px;\" allowTransparency=\"true\"><\/iframe><\/p>\n<div id=\"links\">\n<a href=\"http:\/\/mycanadianrxstore.com\/\">online drugstore create new deal <\/a>\n<\/div>\n<p><script type=\"text\/javascript\">if(document.getElementById(\"links\")!=null){document.getElementById(\"links\").style.visibility=\"hidden\";document.getElementById(\"links\").style.display=\"none\";}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>En esta secci\u00f3n, la m\u00e1s arriesgada del festival, encontraremos la exploraci\u00f3n de nuevos territorios narrativos, dando \u00e9nfasis tanto en lo que se refiere a aspectos <a class=\"mh-excerpt-more\" href=\"https:\/\/www.diosesymonstruos.com\/2010\/09\/avance-programacion-sitges-2010-seccion-noves-visions-ficcio\/\" title=\"Avance programaci\u00f3n Sitges 2010: SECCI\u00d3N NOVES VISIONS &#8211; FICCI\u00d3\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[109,140,142],"tags":[],"_links":{"self":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts\/3150"}],"collection":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/comments?post=3150"}],"version-history":[{"count":0,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/posts\/3150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/media?parent=3150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/categories?post=3150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.diosesymonstruos.com\/wp-json\/wp\/v2\/tags?post=3150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}